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Jean Auguste Dominique Ingres Study for the Martyrdom of St.Symphorian (mk04) oil painting


Study for the Martyrdom of St.Symphorian (mk04)
Painting ID::  20430
Jean Auguste Dominique Ingres
Study for the Martyrdom of St.Symphorian (mk04)
1833-1834 Oil and chalk on canvas, 61x50cm Musee Ingres Montauban

   
   
     

Jean Auguste Dominique Ingres The Execution of Lady Jane Grey (mk04) oil painting


The Execution of Lady Jane Grey (mk04)
Painting ID::  20432
Jean Auguste Dominique Ingres
The Execution of Lady Jane Grey (mk04)
1833 Oil on canvas. 97x117cm National Gallery. London

   
   
     

Jean Auguste Dominique Ingres Franqois Gerard Daphnis and Chloe (mk04) oil painting


Franqois Gerard Daphnis and Chloe (mk04)
Painting ID::  20436
Jean Auguste Dominique Ingres
Franqois Gerard Daphnis and Chloe (mk04)
1824 Oil on canvas, 204x228cm Musee du Louvre, Paris

   
   
     

Jean Auguste Dominique Ingres The Death of Sardanapalus (mk04) oil painting


The Death of Sardanapalus (mk04)
Painting ID::  20438
Jean Auguste Dominique Ingres
The Death of Sardanapalus (mk04)
1827 Oil on canvas, 395x496cm Musee du Louvre Paris

   
   
     

Jean Auguste Dominique Ingres Oadlisque with Female Slave (mk04) oil painting


Oadlisque with Female Slave (mk04)
Painting ID::  20439
Jean Auguste Dominique Ingres
Oadlisque with Female Slave (mk04)
1842 Oil on canvas, 76x105cm Walters Art Gallery. Baltimore

   
   
     

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     Jean Auguste Dominique Ingres
     J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.

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     | Lucas Cranach | BOSSCHAERT, Ambrosius the Elder | Zdenka Braunerova |


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